Mandala
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Mandala (Sanskrit "circle", "completion") is of Hindu origin and is also used in most Dharmic religions, such as Buddhism and Hinduism, to refer to various tangible objects. In practice, mandala has become a generic term for any plan, chart or geometric pattern which represents the cosmos metaphysically or symbolically, a microcosm of the universe from the human perspective.
A mandala, especially its center, can be used during meditation as an object for focusing attention. The symmetrical geometric shapes that mandalas tend to have draw the attention of the eyes towards their center. Psychiatrist Carl Jung saw the mandala as a representation of the unconscious self. His paintings of mandalas enabled him to identify disorders and achieve wholeness in personality (Jung: Memories, Dreams, Reflections, pp. 186-197).
Mandala in Hinduism
In Hindu cosmology, the surface of the earth is represented as a square, which, after the triangle is the most fundamental of all Hindu forms. The earth is represented as four cornered with reference to the horizon's relationship with sunrise and sunset, the north and south direction. The earth is thus called Caturbhrsti (four-cornered) and is represented in the symbolic form of the Prithvi Mandala. The astrological charts or horoscopes (Rasi, Navamsa, etc) also represent in a square plan the ecliptic—the positions of the sun, moon, planets and zodiacal constellations with reference to the native's place and time of birth. The Purusha Mandala is the metaphysical plan of a building, temple or site that incorporates the course of the heavenly bodies and supernatural forces. The Mandala of the hexagram, somewhat resembling the Star of David, is an archetypal symbol for the sacred union of opposite energies. Formed by the intertwining of the "fire" and "water" triangles this symbol represents the masculine and feminine principles in perfect union. In India, the symbol represents the "cosmic dance" of Shiva and Shakti. The Star symbol has been found on temples in India from almost 10,000 years ago. In addition to the balance between man and woman, the Star symbolizes the Nara-Narayana or perfect meditative balancing state achieved between Man and God, and if maintained, results in "Moksha", or "Nirvana", i.e., release from the bounds of the earthly world and its material trappings.
Mandala in Buddhism
A mandala in tantric Buddhism usually depicts a landscape of the Buddha land or the enlightened vision of a Buddha. Mandalas are commonly used by tantric Buddhists as an aid to meditation.
The photograph at right is a good example of a Tibetan sand mandala. This pattern is painstakingly created on the temple floor by several monks who use small tubes and rub another metal object against the tube's notched surface to create a tiny flow of grains. The various aspects of the traditionally fixed design represent symbolically the objects of worship and contemplation of the Tibetan Buddhist cosmology.
To symbolize impermanence (a central teaching of Buddhism), after days or weeks of creating the intricate pattern, the sand is brushed together and is usually placed in a body of running water to spread the blessings of the Mandala.
The visualization and concretization of the mandala concept is one of the most significant contributions of Buddhism to religious psychology. Mandalas are seen as sacred places which, by their very presence in the world, remind a viewer of the immanence of sanctity in the universe and its potential in his or her self. In the context of the Buddhist path the purpose of a mandala is to put an end to human suffering, to attain enlightenment and to attain a correct view of Reality. It is a means to discover divinity by the realization that it resides within one's own self.
A mandala can also represent the entire universe, which is traditionally depicted with Mount Meru as the axis mundi in the center, surrounded by the continents. A 'mandala offering' in Tibetan Buddhism is a symbolic offering of the entire universe. Every intricate detail of these mandalas is fixed in the tradition and has specific symbolic meanings, often on more than one level.
See also: Bhavacakra.
Mandala in Vajrayana
The mandala is usually a symbolic representation which depicts the qualities of the enlightened mind in harmonious relationship with one another. A mandala may also be used to represent the path of spiritual development. On another level a mandala can be a symbolic representation of the universe, as in one of the four foundation practices of the Vajrayana, in which a mandala representing the universe is offered to the Buddha.
One important type is the mandala of the "Five Buddhas", archetypal Buddha forms embodying various aspects of enlightenment, the Buddhas depicted depending on the school of Buddhism and even the specific purpose of the mandala. A common mandala of this type is that of the Five Wisdom Buddhas (a.k.a. Five Jinas), the Buddhas Vairocana, Aksobhya, Ratnasambhava, Amitabha and Amoghasiddhi. When paired with another mandala depicting the Five Wisdom Kings, this forms the Mandala of the Two Realms.
Mandala in Nichiren Buddhism
The mandala in Nichiren Buddhism is called a moji-mandala (文字漫荼羅) and is a hanging paper scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities and certain Buddhist concepts. Called the Gohonzon, it was originally inscribed by Nichiren, the founder of this branch of Japanese Buddhism, during the late 13th century. The Gohonzon is the primary object of veneration in some Nichiren schools and the only one in others, which consider it to be the supreme object of worship as the embodiment of the supreme Dharma and Nichiren's inner enlightenment. The seven characters Nam Myoho Renge Kyo, considered to be the name of the supreme Dharma and the invocation that believers chant, are written down the center of all Nichiren-sect Gohonzons, whose appearance may otherwise vary depending on the particular school and other factors.
Downloading the Gohonzon from the Internet
Copies of Gohonzons inscribed by Nichiren himself may be downloaded from the files section of <http://groups.yahoo.com/group/GohonzonInfo/>. Additional Nichiren-inscribed Gohonzons will be uploaded, as they are digitized and cleaned-up, on an on-going basis until all 128 extant Nichiren Gohonzons have been uploaded.
In the gosho Nichinyo Gozen Gohenji, Nichiren said, "Never seek this Gohonzon outside yourself. The Gohonzon exists only within the mortal flesh of us ordinary people who embrace the Lotus Sutra and chant Namu-myoho-renge-kyo . . . The most important thing is to chant only Namu-myoho-renge-kyo and attain enlightenment. All depends on the strength of your faith. To have faith is the basis of Buddhism . . . The Gohonzon is found in faith alone."
The philosophy of this group is to free the Gohonzon from the control of the sects, some of which use bestowal of a Gohonzon as a means of exerting control over their membership. IF you object to the free distribution of copies of Gohonzons inscribed by Nichiren himself, then do not visit this group. However, if you wish to practice independently and want to get a Gohonzon without submitting to the control of a sect or organzation, this is your answer.
Other meanings of mandala
In the West, mandala is also used to refer to the "personal world" in which one lives, the various elements of the mandala or the activities and interests in which one engages, the most important being at the centre of the mandala and the least important at the periphery. Depicting one's personal mandala in pictorial form can give one a good indication of the state of one's spiritual life.
Mandala in Discordianism
One of the lesser-known emblems of Discordianism is a mandala found in the Principia Discordia. It is pentagonal in shape and consists of five identically-shaped linked elements, each of which forms one point on the outside of the mandala. As is noted in the caption, "No two of the five elements interlock, but all five do interlock". Inside of the pentagon formed by these elements is the Five-Fingered Hand of Eris.
See also
- Form constant
- Carl Jung
- Gohonzon
- Vaastu Shastra
- Landscape planning
- Mandala system]
- Sacred art
- Tantra
- Thangka
- Quincunx
- Trul Khor
- Yantra
External links
Mandala in Hinduism
- Introduction to Mandalas
- The Archetypal Mandala of India of the Star of David
- The Theory and Practice of the Mandala by Giuseppe Tucci
Tibetan Sand Mandala
- Mandala Sand Painting Construction at Rutgers University Sept. 2005 (Video)
- Overhead photos of the mandala creation process
- [1] BBC feature on Mandala
- Buddhist Tantric Symbols
Mandala as art
- Stained Glass Mandalas
- Art containing Mandalas
- The Mandala as Sacred Geometry
- 72 Mandalas for painting in meditation - mandalas worldwide (cultures)
- mandalaZone ~ Original mandalas reminiscent of ancient spiritual art
- 45 mandalas for painting in meditation (nature mandalas, church and cathedral windows, Indian mandalas, primary center mandalas, Asian mandalas, ice cristal mandalas, line and circle mandalas)
- 32 crop circle mandalas for painting in meditation
- Daily Mandala
- Sacred Geometry Mandala Screen Saver and Meditation tool
- Mandalas for Healing the Earth
- Geometric Optical Illusion Mandalas
- Free Mandala to download an painting
- How to Tie Dye Mandalas and Stars
Mandala Software
- Symmetry Studio 2.0 on-line Java
- Mandala Painter Windows 2000/XP
- The Silicon Mirror & Kaleidoscope Windows 95/98/ME/NT/2000/XP
- Mandalamaker Java
- Sacred Geometry Mandala Screen Saver and Meditation tool
- Kaleider Windows 98/ME/NT/2000/XP
